Internationally acclaimed Soprano Tatiana Odinokova


Press Acclaim

"Tatiana Odinokova has very assured, young, flexible voice, with dark colors, and a natural dramatic instinct." Il Messagere, July 1, 1999

"Intensity and sweetness of voice, a rich timbre a constant expressive inspiration" "She justifies the Festival" Il Messagere, July 1, 1998

"La bravissima Tatiana Odinokova" Corriere Della Sera, July 1, 1997

"Tatiana Odinokova sang beautifully and was ideally youthful in appearance. Her inwardness of expression seemed perfect for the final scene, which became - as it should be, but rarely is - the real climax of the opera." Opera News, November, 1996

"Tatiana Odinokova (Tatiana) had a fresh, attractive voice and considerable expressive intensity..." Opera Festival, November, 1996

"A fascinating Tatiana" "Difficult to imagine a fresher or more fascinating Tatiana" Il Nazione, July 1, 1996

"Tatiana Odinokova demonstrates the maturity of a great artist." Il Giorno, July 1, 1996

"I believe Tatiana Odinokova is an ideal interpreter for the (Tatiana's) role" Gian Carlo Menotti, July 1996

"Tatiana Odinokova (Nedda), kittenishly sexy, pencil-slim of figure and voice...Just as alluring and rounder of tone, hers was a passionately detailed portrayal." Opera News, March 27, 1993

"Her (Musetta) machinations towards Marcello were blatantly exposed by all this, not to mention her obvious coquette mannerisms. Her honeyed voice encompassed the last act warmth and concern over Mimi's death as easily as the glitter of her Cafe shenanigans." Los Angeles Opera Notes. August, 1993

" A definite asset was the young Tatiana Odinokova, who imbued Tatiana with all the fresh immediacy the part calls for. There was a compelling musicality to her singing, and she avoided all melodramatic affectation." Jerusalem Post, May 5, 1995